Films shot digitally

[nigel]

Steven Soderburgh's 2002 film Full Frontal was shot on an XL-1S

-All of the following films were shot on a GL-2. Some had limited releases, some had wide releases...some haven't been released yet.....

Day of the Scorpion (2004) Camera: Canon GL-2
Eviction (2004) Camera: Canon GL-2
Jazz: An Exchange in the Arts (2004) Camera: Canon GL-2
Less Like Me (2004) Camera: Canon GL-2
No Regrets (2003/I) Camera: Canon GL-2
Semi-Colon (2004) Camera: Canon GL-2
Sundowning (2005) Camera: Canon GL-2

-All of the following films were shot on a DCR VX2000.

"Jackass The Series" (2000) Camera: Sony DCR-VX2000
Anokha (2004) Camera: Sony DCR-VX2000
Café Tango (2001) Camera: Sony DCR-VX2000
Chad Effect, The (2001) Camera: Sony DCR-VX2000
Chimera (2003) (V) Camera: Sony DCR-VX2000
Dancing with Darkness (2002) Camera: Sony DCR-VX2000
El Mariachi: 10 Years Later (2003) (V) Camera: Sony DCR-VX2000
Enraged New World, An (2002) Camera: Sony DCR-VX2000
Familiar Stranger (2002) Camera: Sony DCR-VX2000, Century Optics
Four Funny Families (2004) Camera: Sony DCR-VX2000
Gang Tapes (2001) Camera: Sony DCR-VX2000
Hitchhiker (2003) Camera: Sony DCR-VX2000
Independence: Around the Film 'Kedma', a Film by Amos Gitai (2002) Camera: Sony DCR-VX2000
Jandek on Corwood (2003) Camera: Sony DCR-VX2000
Loneliness (2004) Camera: Sony DCR-VX2000
Love's Curse (2004) Camera: Sony DCR-VX2000
Peoples (2004) Camera: Sony DCR-VX2000
Question to Asclepios, A (2004) Camera: Sony DCR-VX2000
Remembering November (2002) Camera: Sony DCR-VX2000
Rotten Shaolin Zombies (2004) (V) Camera: Sony DCR-VX2000
Silo Killer (2002) (V) Camera: Sony DCR-VX2000
Silo Killer 2: The Wrath of Kyle (2005) (V) Camera: Sony DCR-VX2000
Strange Aeons (2004) Camera: Sony DCR-VX2000
Thicker Than Water (2002) Camera: Sony DCR-VX2000
Transparent (2004) Camera: Sony DCR-VX2000
Tu pa tam (2004) Camera: Sony DCR-VX2000
Utica (2002) Camera: Sony DCR-VX2000
Walk (2003) Camera: Sony DCR-VX2000

-All the following films were shot with an XL-1S.

28 Days Later... (2002) Camera: Canon XL-1S
Dead/Undead (2002) (V) Camera: Canon XL-1S
Final Exit (2002) (V) Camera: Canon XL-1S
Full Frontal (2002) Camera: Canon XL-1S
Ghouls, The (2003) Camera: Canon XL-1S
I Pass for Human (2004) Camera: Canon XL-1S
Idol of Evil (2005) (V) Camera: Canon XL-1S
In Their Absence (2003) Camera: Canon XL-1S
Intuition Shorts, The (2004) (V) Camera: Canon XL-1S
Invisible World, The (2002) Camera: Canon XL-1S
L.A. D.J. (2004) Camera: Canon XL-1S
Meeting a Bullet (2004) (V) Camera: Canon XL-1S
Murder Act One (2003) Camera: Canon XL-1S
Out of Reach (2003) Camera: Canon XL-1S
Passage, The (2003) Camera: Canon XL-1S
Project: Tomorrow Men (2003) Camera: Canon XL-1S
Reflections: A Story of Redemption (2004) Camera: Canon XL-1S
Trafico, El (2004) Camera: Canon XL-1SE
Truth About Miranda, The (2004) Camera: Canon XL-1S, Panavision, P+S Technik Mini 35 Digital Adapter Kit
Ugly One, The (2003) Camera: Canon XL-1S
Virginal Young Blondes (2004) Camera: Canon XL-1S
War Effort, The (2003) Camera: Canon XL-1S
Æstoria (2003) Camera: Canon XL-1S

-All the Following were shot on a PD150

"Jackass" (2000) Camera: Sony DSR-PD150
"Switched!" (2003) Camera: Sony DSR-PD150
9 Songs (2004) Camera: Sony DSR-PD150
American Gun (2002) Camera: Sony DSR-PD150 (video segments)
Andra sidan (2003) Camera: Sony DSR-PD150
Arroz con mango (2002) Camera: Sony DSR-PD150
Blood Gnome (2004) (V) Camera: Sony DSR-PD150
Buscando a Reynols (2004) Camera: Sony DSR-PD150
Casual Friday (2003) Camera: Sony DSR-PD150
Dancer in the Dark (2000) Camera: Sony DSR-PD150 (with custom anamorphic lenses)
Deflation (2001) Camera: Sony DSR-PD150
Desperately Seeking Seka (2002) (TV) Camera: Sony DSR-PD150P
Down and Out with the Dolls (2001) Camera: Sony DSR-PD150
Drowning (2001) Camera: Sony DSR-PD150
Eldritch Influence: The Life, Vision, and Phenomenon of H.P. Lovecraft, The (2003) Camera: Sony DSR-PD150
Epicureans, The (2003) Camera: Sony DSR-PD150
Final Act (2004) Camera: Sony DSR-PD150
Fluffy Cumsalot, Porn Star (2003) Camera: Sony DSR-PD150
Frank & Mary (2001) Camera: Sony DSR-PD150
Gecekondu (2003) Camera: Sony DSR-PD150
Glitterati (2004) Camera: Sony DSR-PD150
Go Further (2003) Camera: Sony DSR-PD150
Hatch (2003) Camera: Sony DSR-PD150
Henning (2004) Camera: Sony DSR-PD150
Holiday Memento, A (2002) Camera: Sony DSR-PD150
Honey Hunter (2002) (TV) Camera: Sony DSR-PD150 (video segments)
Hotel Lobby (2003) Camera: Sony DSR-PD150
How to Kill a Mockingbird (2002) Camera: Sony DSR-PD150
How to Make It in Hollywood Before You Make It (2004) (V) Camera: Sony DSR-PD150
In Search of Ted Demme (2005) Camera: Sony DSR-PD150
In This World (2002) Camera: Sony DSR-PD150
Interview with the Assassin (2002) Camera: Sony DSR-PD150
Irreversible (2004) Camera: Sony DSR-PD150
Joy Electric Picture Book, The (2003) (V) Camera: Sony DSR-PD150
Kissing on the Mouth (2005) Camera: Sony DSR-PD150
Kissing Paul Newman (2001) Camera: Sony DSR-PD150
Lights, Camera... Kill! (2004) (V) Camera: Sony DSR-PD150
Liquid Wind (2004) Camera: Sony DSR-PD150
Luxury (2003) Camera: Sony DSR-PD150
Mama Milka (2003) (V) Camera: Sony DSR-PD150
Manic (2001) Camera: Sony DSR-PD150
Mementos (2004) Camera: Sony DSR-PD150 (some scenes)
Movimenti (2004) Camera: Sony DSR-PD150
My Brother Tom (2001) Camera: Sony DSR-PD150
On Show: The Marco Marenghi Story (2004) (TV)
Camera: Sony DSR-PD150
Paper Clips (2004) Camera: Sony DSR-PD150
Paz! (2002) Camera: Sony DSR-PD150
Personal Velocity: Three Portraits (2002) Camera: Sony DSR-PD150P
Pieces of April (2003) Camera: Sony DSR-PD150
Placebo (2003) Camera: Sony DSR-PD150
Poker Kings (2004) Camera: Sony DSR-PD150
Processen (2003) Camera: Sony DSR-PD150
Quattro Noza (2003) Camera: Sony DSR-PD150
Refuge (2002) Camera: Sony DSR-PD150
Reign in Darkness (2002) (V) Camera: Sony DSR-PD150
Rising of the Moon, The (2002) Camera: Sony DSR-PD150
Rule # 1 Day Three (2003) Camera: Sony DSR-PD150P
Scopophilia (2003) Camera: Sony DSR-PD150
Sobre mi piel (2003) Camera: Sony DSR-PD150
Super Size Me (2004) Camera: Sony DSR-PD150
Sur/Face juyon-nin no gendai kenchikuka-tachi (2003) Camera: Sony DSR-PD150
Tadpole (2002) Camera: Sony DSR-PD150
Teatime with John (2003) Camera: Sony DSR-PD150
Thanatos Road (2004) Camera: Sony DSR-PD150
Through the Eyes of the Sculptor (2004) (TV) Camera: Sony DSR-PD150
Tommy Lee: The Naked Truth (2002) (TV) Camera: Sony DSR-PD150
Torpor (2003) Camera: Sony DSR-PD150
Uber Goober (2004) Camera: Sony DSR-PD150
Uh Oh! (2003) Camera: Sony DSR-PD150
Uncle Sam (2002) Camera: Sony DSR-PD150P
Upside Downtown (2002) Camera: Sony DSR-PD150
Veronika's Birthday (2004) Camera: Sony DSR-PD150
Visitor, The (2002/II) Camera: Sony DSR-PD150
Y.M.I. (2002) Camera: Sony DSR-PD150
Yellow Sign, The (2001) Camera: Sony DSR-PD150

Sorry if this is too much information. Some films you will recognize. Super Size Me was shot on a PD150 as was the film Paper Clips which will soon be released in theaters. Personal Velocity won a bunch of awards on the festival circut and made it to theaters internationally and was shot with a PD150. Hope this helps.

[JetAwesome]

I've only seen Super size me and 28 days later. But, both look great, Digital is cool with me